With the launch of the Nueva Luz Study Center, En Foco has taken significant steps to expand its archival resources, including an enriched collection of materials related to Sophie Rivera. This initiative provides a more comprehensive understanding of Sophie’s professional and creative life, celebrating her lasting impact on the photography and arts community. Sophie was deeply involved with En Foco from its early days and was prominently featured in the inaugural issue of Nueva Luz in 1985, marking her as a foundational figure in the organization’s history. Through the generous support of the Estate of Sophie Rivera, En Foco has been able to digitize a curated selection of her artwork, personal files, and ephemera. These items form the core of the Sophie Rivera archives, preserving her legacy and ensuring that her contributions to lens-based art continue to inspire future generations.
The digitized materials offer an intimate look into Sophie’s artistic journey, documenting her unique vision and deep connection to her cultural heritage. This archive not only honors her legacy but also serves as a valuable resource for researchers, artists, and enthusiasts seeking to explore her life and work.
For expanded access to Sophie’s materials, including viewing digitized archives or inquiring about research opportunities, please send your request to [email protected].
All Hallows Eve:
El Museo del Barrio
Nov. 20 – Jan 25, 1987
We all wear masks and dress up at one time or another. To frighten, amuse, or for ritualistic celebration, we. wear costumes for various reasons. It not only changes the outside but gives one the freedom to act differently than we normally do.
Subway Portraits
“An exchange of trust is one of the main underpinnings of this body of work” – Sophie Rivera
Sophie Rivera (June 17, 1938 – May 22, 2021) was a photographer of Puerto Rican descent, who was an activist and teacher. She is best known as a photographer whose work challenged stereotypical assumptions of Puerto Ricans in the United States. During her photographic career, Sophie Rivera’s neighborhood served as an inspiration for her body of work. From the maintenance and repainting of the IRT 125th Street subway to the people walking past her apartment building on Tiemann Place. Rivera was unique in her decision to represent and document her subjects through a combination of direct photography, neutral backgrounds, and double exposures that produce a strong and non-judgmental aesthetic to these portraits.
In the 1980s Sophie turned the camera’s focus on herself and explored the world of self-portraiture. Rivera took photographs of her nude body from different angles by employing mirrors and captured human waste and other bodily materials as a tool for self-referentiality. In 1986 she photographed strangers during the Halloween Day Parade in Greenwich Village. In this series of photos, she wanted to explore, “the relationship between personal fantasy and personal reality.” She would later become a member of the En Foco Board of Advisors, and a curator while running her own photography gallery. Ms. Rivera’s photographs are featured in the permanent collections of the Whitney Museum of American Art, El Museo del Barrio, and the Smithsonian American Art Museum, among other institutions.
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