Is this a critique of minority collectivism? Is the black athlete an individualist? Or is the photograph commenting on how much hope the community deposits on its young, to the degree of blinding itself to everything else?
Esteemed author and cultural critic Ilan Stavans, will be writing a series of ten essays specifically for our photographic journal, Nueva Luz and our blog. 'The Democratic Eye' is the first article in the 'Picturing Diversity' series, which will later become a book on photography. In discussing how the medium has changed, Stavans challenges assumptions on how society sees the world and how we view each other. It is a pleasure to be able to bring this exciting series to our readers.
A camera not only is a factory of mementos. It is also a weapon, a subversive tool because pictures are more dangerous than ever. They denounce atrocities, they embarrass governments, they foster revolutions. In the hands of the people, cameras are political instruments. They record, they confront, they reclaim. As a result, control has become uncontrollable. Movements spring around easy-to-send images. Those who once were subjects of photographic fetish have become manufacturers of their own profile.