En Foco proudly announces its upcoming exhibition “The Next Generation of Bronx Photographers at the Andrew Freedman Home. The exhibition highlights five Bronx-based photographers beginning Wednesday, March 1, 2017.
February 24th – March 24th, 2017
Exhibition Location and Gallery Hours:
Andrew Freedman Home
1125 Grand Concourse
Bronx, NY 10452
Monday-Friday: 10:00am-6:00pm; Saturday: By Appointment.
*WHAT IS THE BRONX TROLLEY?
The Bronx Trolley is a project of the South Bronx Cultural Corridor. Making a cultural loop through the lower Grand Concourse and in other sections of the Bronx, it provides an innovative way to travel free while giving Bronxites and tourists alike the opportunity to sample several of the area’s hottest cultural attractions, dining establishments and
WHERE DO YOU PICK UP THE TROLLEY?
First Wednesdays Trolley begins at 5:00pm at the Longwood Art Gallery @ Hostos which is located at Hostos Community College, 450 Grand Concourse & 149th Street (easily accessible by the 2, 4 & 5 trains and the BX1 & BX19 buses). The trolley departs from Hostos at 5:30pm, 6:30pm and 7:30pm, making a cultural loop through the lower Grand Concourse, dropping off riders at their selected stops and picking them up at the next go-around.
En Foco is currently accepting submissions for its 2017 Photography Fellowship through February 6, 2017.
En Foco, the leading arts organization serving support to photographers of color, is accepting submissions for its 2017 Photography Fellowship, designed to support photographers of color who demonstrate the highest quality of work as determined by a photography panel of peers and industry professionals. Submission Deadline is Monday, February 6, 2017 at 11:59pm. Fellowships will be announced in mid-March. Contact E-mail: email@example.com.
The Photography Fellowship Program will award ten Fellowships of a $1,000 each; participate in the 2017 Fellowship Group Exhibition; feature the Fellows in En Foco’s Nueva Luz publication, in printed and online editions; and provide Professional Development and Networking Opportunities. En Foco is highly regarded for its leadership in the variety of ways it supports photographers of color and for its advocacy role in addressing the issues related to the lack of cultural equity and access.
Who Can Apply:(1)Photographers of Latino, African, Asian American heritage, and Native Peoples of the Americas and the Pacific; (2) Must be a resident of New York City or New York State for the past year at the time of submission and must show proof of residency; (3) Must be at least 18 years of age; (4) Collaborating photographers are eligible to apply, but only one photographer can submit the application; (5) Previous winners of En Foco’s New Works Fellowship Program prior to 2014 are eligible to apply; (6) Photography for consideration must represent work completed after 2014.
Who Cannot Apply:(1)Graduate or undergraduate students matriculated in a fine art and/or photography degree program at the time of application submission; (2) En Foco’s Board members and staff are ineligible to apply.
Panel Process:The Fellowships selected are based exclusively on the excellence and quality of the work submitted. All work will be reviewed by panelists selected from a pool of photography and photography-related professions, such as photographers, curators, critics, and collectors. Each year, new panelists are chosen to ensure a fresh perspective in the fellowship review process. En Foco’s Board of Directors will review the panel recommendations to assure the integrity of the process and formally approve the Fellowship awardees.
Award Notification:The ten Fellowship Awardees will be notified via email. The Awardees will each receive $750 dollars with the balance of $250 to be remitted at the Fellowship Awardees’ participation in their exhibition.
Submission Requirements:(1)Create an account with Submittable.com; (2) Include a written description (no more than 400 words). Describe specific aspects of your work practices such as subject matter, context, content, location and personal relevance; (3) A one-page resume and 200-word biography; (4) A 200-word artist statement about your work; (5) Five images, follow the sizing guidelines; (6) Head shot (300 dpi, jpeg only). The application form does not have to be completed in a single session. The system will save your draft application. We suggest that you save often as you fill out the form, and that you save a copy of any narrative texts.
At En Foco, we believe that art should be available to everyone, which is why The Print Collectors Program offers original photographs by internationally recognized and emerging artists, at affordable prices. Every dollar of your print purchase helps underwrite an exhibition, publication or event – and the best part, a percentage is returned to the creator of the image.
As our collaboration and partnership has grown, we’d like to share a short story about the Brewery’s beginning adventures.
During the installation of all the tanks for the brewery, Damian and I [owners] decided to take care of the unloading and installation ourselves to save a little bit of money. We were unloading thefermentation tank from the delivery flatbed when all of a sudden the tank tipped and fell over, pinning me under the tank and the forklift! After some hurried yelling, the construction workers rushed over to help lift the tank off of my crushed body. Maybe it was the adrenaline, maybe I’m a little crazy, or more likely, a combination of both – but I decided it was a good idea to just get up and keep working. Well, after a few minutes, the reality (and pain) of this near death experience kicked in. I decided I’d better go to the hospital – and only after some convincing, I let someone else drive me. Considering I had just been crushed by a huge fermentation tank, I had a great experience at Lincoln hospital. I met some wonderful bronx locals, and the service there was great; and best of all, I managed to escape this incident without any injures! Hey, nothing like a tank falling on you to commence the opening of a brewery.
– Chris Gallant, General Manager, The Bronx Brewery
Seems as though En Foco and the Bronx Brewery both share traits of resilience and strength – so join us as we celebrate!
Valdir Cruz is a Brazilian photographer, born in 1954 in Guarapuava, the Southern State of Paraná, Brazil. While Cruz has lived in the United States for more than thirty years, his photography has largely focused on the people, architecture and landscape of his native Brazil and the rainforests of Latin America. In 1996, Cruz was awarded a Guggenheim Fellowship for Faces of the Rainforest, a project documenting the life of indigenous people in the Brazilian Rainforest. The Guggenheim Foundation further supported this project with a publication subvention award.
What distinguishes Valdir Cruz’s photography, is the docu-essay form of his projects which expertly tap his interest in anthropology and culture. He has lived among the native cultures not just in Guarapuava but in many Latin American locations and through exposure to different peoples and places developed a strong documentarian eye easily discerned from the Guarapuava works on display Sept 18 – November 1 at Throckmorton Fine Art in New York.
In his introduction to the GUARAPUAVA book that accompanies the Throckmorton exhibition, photography researcher and curator, Rubens Fernandes, Jr., says “For over thirty years, Valdir Cruz has produced regular records of Guarapuava. His images are not commonplace; many people consider that documentation of a town means looking at the urban space and photographing it through its public road and imposing buildings, but here, contrary to what one might think, it is seen as a space where different ethnicities that make up Brazil coexist – Europeans, native peoples, and Africans – whose boundaries are surrounded by exuberant waterfalls and breathtaking landscapes. This rare initiative distinguishes this essay’s uniqueness, with an unconventional exercise in constructing memories. Instead of a cartographic reading of streets and buildings, he chose to portray local people, local events such as cattle divers’ dislocations, and landscapes that still pulse in the imaginary created by his childhood memories. This is a keen record of a local dweller in his own land.
“The characters portrayed are anonymous heroes who, together with landscapes and waterfalls, celebrate this visual references. Actually, it is an inventory of emotions far removed from the power setting represented by the urban space and its buildings, similar to a family album gathering a kind of inventive story articulated through desire-rich and imaginative narrative. Valdir Cruz is able to transform commonplace occurrences into extraordinary things by circumscribing photography as a power of personal, social, and cultural values, far from the current visual easiness. At the Guarapuava show, this manifest desire to excel is remarkable, since, as well as synthesizing his life experience, he also extends the visibility of people and landscapes marginal to the system.”
“Guarapuava” is Throckmorton Fine Art’s sixth solo exhibition of works by the documentary-photographer, Valdir Cruz, and one that is the culmination of a thirty-year project.
Spencer Throckmorton says, “Cruz’s exquisite photographic essay on ‘Guarapuava,’ the photographer’s hometown, bears out Tolstoy’s observation that to be universal one only needs to talk about his own village. With unremitting devotion, Cruz has chronicled the lives and lifestyles of this ephemeral and evocative place. The images are the result of his close investigation of its people and landscapes.”
Among highlights – “Guarapuava” showcases a photograph entitled, “Hands” which beautifully represents the absolute wide range of black and gray tones—from delicate charcoal shades to pitch darkness—resulting in a striking composition. It is also a visual and cultural commentary of a solitary gesture that models human complexity.
For more information on the artist, please click here.
According to their press release, the AIPAD Photography Show is one of the world’s most “highly anticipated annual photography events.” Well, let me tell you – that statement couldn’t be any more accurate. I’ve been hearing about AIPAD since my days at Aperture Foundation and by word of mouth from photo friends. So, walking into the Park Avenue Armory where the show was being held, I was excited to see what all the great fuss was about.
Circling around the Armory filled with many different galleries from around the world, it was great to see familiar works by artists like Matthew Pillsbury, Manuel Alvarez Bravo, and Graciela Iturbide (an En Foco’s alumna). After a while though, I must admit I grew a little tired of seeing so many black-and-white photographs.
I am a huge fan of graffiti art and urban culture, so seeing Henry Chalfant’s work was absolutely mesmerizing.
Henry Chalfant started out as a sculptor in New York in the 1970s but turned to photography and film to do an in-depth study of hip-hop culture and graffiti art. According to the Director of Steven Kasher Gallery, Maya Piergies, and their website – he is one of the foremost authorities on New York subway art, and “other aspects of urban youth culture.”
At first I thought it was one of Bruce Davidson’s photographs from his Subway series in the late 1970s. However, they weren’t as gritty and dark. Chalfant’s series of heavily tagged subway cars are vibrant in color but simple in technique. While his technique is very straightforward, each photograph has its own identity and character. What I love most are the captions accompanying the photographs. Each one is named after their street tag names: Kel Min, Sharp Delta, Tkid Booze, 2Near 2Mad 2Wide, or 2Man TNT to name a few.