En Foco proudly announces its upcoming exhibition “The Next Generation of Bronx Photographers at the Andrew Freedman Home. The exhibition highlights five Bronx-based photographers beginning Wednesday, March 1, 2017.
February 24th – March 24th, 2017
Exhibition Location and Gallery Hours:
Andrew Freedman Home
1125 Grand Concourse
Bronx, NY 10452
Monday-Friday: 10:00am-6:00pm; Saturday: By Appointment.
*WHAT IS THE BRONX TROLLEY?
The Bronx Trolley is a project of the South Bronx Cultural Corridor. Making a cultural loop through the lower Grand Concourse and in other sections of the Bronx, it provides an innovative way to travel free while giving Bronxites and tourists alike the opportunity to sample several of the area’s hottest cultural attractions, dining establishments and
WHERE DO YOU PICK UP THE TROLLEY?
First Wednesdays Trolley begins at 5:00pm at the Longwood Art Gallery @ Hostos which is located at Hostos Community College, 450 Grand Concourse & 149th Street (easily accessible by the 2, 4 & 5 trains and the BX1 & BX19 buses). The trolley departs from Hostos at 5:30pm, 6:30pm and 7:30pm, making a cultural loop through the lower Grand Concourse, dropping off riders at their selected stops and picking them up at the next go-around.
En Foco is currently accepting submissions for its 2017 Photography Fellowship through February 6, 2017.
En Foco, the leading arts organization serving support to photographers of color, is accepting submissions for its 2017 Photography Fellowship, designed to support photographers of color who demonstrate the highest quality of work as determined by a photography panel of peers and industry professionals. Submission Deadline is Monday, February 6, 2017 at 11:59pm. Fellowships will be announced in mid-March. Contact E-mail: email@example.com.
The Photography Fellowship Program will award ten Fellowships of a $1,000 each; participate in the 2017 Fellowship Group Exhibition; feature the Fellows in En Foco’s Nueva Luz publication, in printed and online editions; and provide Professional Development and Networking Opportunities. En Foco is highly regarded for its leadership in the variety of ways it supports photographers of color and for its advocacy role in addressing the issues related to the lack of cultural equity and access.
Who Can Apply:(1)Photographers of Latino, African, Asian American heritage, and Native Peoples of the Americas and the Pacific; (2) Must be a resident of New York City or New York State for the past year at the time of submission and must show proof of residency; (3) Must be at least 18 years of age; (4) Collaborating photographers are eligible to apply, but only one photographer can submit the application; (5) Previous winners of En Foco’s New Works Fellowship Program prior to 2014 are eligible to apply; (6) Photography for consideration must represent work completed after 2014.
Who Cannot Apply:(1)Graduate or undergraduate students matriculated in a fine art and/or photography degree program at the time of application submission; (2) En Foco’s Board members and staff are ineligible to apply.
Panel Process:The Fellowships selected are based exclusively on the excellence and quality of the work submitted. All work will be reviewed by panelists selected from a pool of photography and photography-related professions, such as photographers, curators, critics, and collectors. Each year, new panelists are chosen to ensure a fresh perspective in the fellowship review process. En Foco’s Board of Directors will review the panel recommendations to assure the integrity of the process and formally approve the Fellowship awardees.
Award Notification:The ten Fellowship Awardees will be notified via email. The Awardees will each receive $750 dollars with the balance of $250 to be remitted at the Fellowship Awardees’ participation in their exhibition.
Submission Requirements:(1)Create an account with Submittable.com; (2) Include a written description (no more than 400 words). Describe specific aspects of your work practices such as subject matter, context, content, location and personal relevance; (3) A one-page resume and 200-word biography; (4) A 200-word artist statement about your work; (5) Five images, follow the sizing guidelines; (6) Head shot (300 dpi, jpeg only). The application form does not have to be completed in a single session. The system will save your draft application. We suggest that you save often as you fill out the form, and that you save a copy of any narrative texts.
In our second installment of Artist Interviews, Grace Ali speaks passionately in this interview with Zoraida Lopez about the meaning of home for an immigrant artist from Guyana in the United States. Her need to find herself, allowed for a relationship with New York City to bloom and eventually realized that “home is really where I am in the present moment.”
StoryCorps is one of the largest oral history projects – Since 2003, they have collected and archived more than 50,000 interviews with over 90,000 participants. Each conversation is recorded on a CD to share, and is preserved at the American Folklife Center at the Library of Congress in order “…to remind one another of our shared humanity, to strengthen and build the connections between people, to teach the value of listening, and to weave into the fabric of our culture the understanding that everyone’s story matters.” www.storycorps.org
Stay tuned for more interviews, coming soon.
Consider donating to En Foco, to help keep these stories alive. Donate here.
Valdir Cruz is a Brazilian photographer, born in 1954 in Guarapuava, the Southern State of Paraná, Brazil. While Cruz has lived in the United States for more than thirty years, his photography has largely focused on the people, architecture and landscape of his native Brazil and the rainforests of Latin America. In 1996, Cruz was awarded a Guggenheim Fellowship for Faces of the Rainforest, a project documenting the life of indigenous people in the Brazilian Rainforest. The Guggenheim Foundation further supported this project with a publication subvention award.
What distinguishes Valdir Cruz’s photography, is the docu-essay form of his projects which expertly tap his interest in anthropology and culture. He has lived among the native cultures not just in Guarapuava but in many Latin American locations and through exposure to different peoples and places developed a strong documentarian eye easily discerned from the Guarapuava works on display Sept 18 – November 1 at Throckmorton Fine Art in New York.
In his introduction to the GUARAPUAVA book that accompanies the Throckmorton exhibition, photography researcher and curator, Rubens Fernandes, Jr., says “For over thirty years, Valdir Cruz has produced regular records of Guarapuava. His images are not commonplace; many people consider that documentation of a town means looking at the urban space and photographing it through its public road and imposing buildings, but here, contrary to what one might think, it is seen as a space where different ethnicities that make up Brazil coexist – Europeans, native peoples, and Africans – whose boundaries are surrounded by exuberant waterfalls and breathtaking landscapes. This rare initiative distinguishes this essay’s uniqueness, with an unconventional exercise in constructing memories. Instead of a cartographic reading of streets and buildings, he chose to portray local people, local events such as cattle divers’ dislocations, and landscapes that still pulse in the imaginary created by his childhood memories. This is a keen record of a local dweller in his own land.
“The characters portrayed are anonymous heroes who, together with landscapes and waterfalls, celebrate this visual references. Actually, it is an inventory of emotions far removed from the power setting represented by the urban space and its buildings, similar to a family album gathering a kind of inventive story articulated through desire-rich and imaginative narrative. Valdir Cruz is able to transform commonplace occurrences into extraordinary things by circumscribing photography as a power of personal, social, and cultural values, far from the current visual easiness. At the Guarapuava show, this manifest desire to excel is remarkable, since, as well as synthesizing his life experience, he also extends the visibility of people and landscapes marginal to the system.”
“Guarapuava” is Throckmorton Fine Art’s sixth solo exhibition of works by the documentary-photographer, Valdir Cruz, and one that is the culmination of a thirty-year project.
Spencer Throckmorton says, “Cruz’s exquisite photographic essay on ‘Guarapuava,’ the photographer’s hometown, bears out Tolstoy’s observation that to be universal one only needs to talk about his own village. With unremitting devotion, Cruz has chronicled the lives and lifestyles of this ephemeral and evocative place. The images are the result of his close investigation of its people and landscapes.”
Among highlights – “Guarapuava” showcases a photograph entitled, “Hands” which beautifully represents the absolute wide range of black and gray tones—from delicate charcoal shades to pitch darkness—resulting in a striking composition. It is also a visual and cultural commentary of a solitary gesture that models human complexity.
For more information on the artist, please click here.
David Gonzalez looks back 30 years, to the moment he saw these dancers in a loving embrace in the streets of the South Bronx.
The Dancers is probably my best-known image, yet it sat in my archives – unseen – for 30 years. I was working at En Foco after graduating from Yale, and had gone to a street fair in Mott Haven with Rafael Ramírez to put up a Street Gallery on August 10, 1979 (my 22nd birthday). While we were there, a salsa band started playing, and a couple started dancing. I shot two frames of them.
And then I forgot about the image.
Thirty years later, I started scanning my old negatives, when I came across the image. Mind you, I had printed other shots from that day, but not this one. Of the two frames, one had them where I could see both of the dancers. It ran with a cover story and slide show I did for the Times’ Metropolitan section in late August 2009. The reaction to it was strong and immediate.
To me, this image speaks of a lot of things, especially given what was happening in the Bronx at the time. Here we have a couple, dressed to the nines, dancing in the streets when the outside world saw the South Bronx as irredeemable. Yet there, embracing and dancing to the soundtrack of an unseen band, they remind us how our roots, our culture, nourishes our souls.
One more thing: always go back to your archives. Your older self will discover things your younger self knew enough to shoot, but not necessarily to print. — David Gonzalez, May 28th, 2014
En Foco offers an exclusive limited edition print of The Dancers through it’s Print Collectors Program,so be sure to collect yours soon while the opportunity lasts.
For more information on David Gonzalez and his work, please click here.